Reflections on time, motion and photomechanics
Bibliographic Data
| ID | 12895847 |
|---|---|
| Authors | Jonathan Shaw (0000-0001-6337-434X, Coventry University, corresponding author) |
| Year | 2013 |
| Volume | 11 |
| Issue | 1 |
| Pages | 52-70 |
| Publication date | 2013-02-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Early Popular Visual Culture (JOURNAL) |
| Journal identifiers | ISSN: 1746-0654 • E-ISSN: 1746-0662 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/17460654.2013.766049 |
| OpenAlex | W2029932541 |
| Language | EN |
| References cited | 4 |
This article is a reflection on my own practice and its connection to changing representations of time and movement within photography. In my work as an artist and photographer, I have endeavoured to develop a particular perspective on the relation between the heritage of photomechanical tools, new technologies, memory and space. In what follows, I describe a series of pivotal moments in the formation of this perspective as they exemplify a specific strand of photography, showing how they connect to wider transformations in the field of visual cultures
Aesthetics · Art · Computer vision · Connection (principal bundle · Field (mathematics · Geometry · Motion (physics · Movement (music · Perspective (graphical · Photography · Reflection (computer programming · Relation (database · Sociology · Visual arts · Computer Science · Mathematics · Museums and Cultural Heritage · Photography and Visual Culture · Visual Culture and Art Theory
| Citation velocity | historical |
|---|---|
| Highly cited | No |