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Penetrating the peristrephic

An unwritten chapter in the history of the panorama

Bibliographic Data

ID12895960
AuthorsErkki Huhtamo (University of California, Los Angeles, corresponding author)
Year2008
Volume6
Issue3
Pages219-238
Publication date2008-11-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueEarly Popular Visual Culture (JOURNAL)
Journal identifiersISSN: 1746-0654 • E-ISSN: 1746-0662
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/17460650802443019
OpenAlexW2029422962
LanguageEN
Citations received2
References cited6

Of all the ‘things panoramic’, the peristrephic panorama remains one of the least well known. It is usually mentioned in passing in the histories of the panorama, but both its form as a spectacle and its historical vicissitudes have remained obscure. This article discusses in a condensed manner the origins, evolution, forms and reception of the peristrephic panorama. It reconstructs the institutional development of this form from its earliest beginnings, excavating the careers of showmen like Messrs Marshall and J.B. Laidlaw. It then explains the forms the shows took by engaging in a close reading of contemporary descriptions – in particular, the one by the German prince Hermann Pueckler‐Muskau. The article proceeds to discuss some of the discursive manifestations the peristrephic panorama gave rise to, illuminating its position within the wider cultural fabric. The study shows that the peristrephic panorama had a character of its own as a transitionary form between the static circular panoramas and the later moving panorama shows

Archaeology · Art · Character (mathematics · German · Linguistics · Panorama · Political science · Reading (process · Spectacle · Visual arts · Central European and Russian historical studies · Central European national history · History · Law · Philosophy · Spatial and Cultural Studies

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Unique citing works2
Citations per year0,12
Citation span2009 - 2013 (5)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 2

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