Visual representation and propaganda
Early films and postcards in the Ottoman Empire, 1895–1914
Bibliographic Data
| ID | 12896013 |
|---|---|
| Authors | Mustafa Özen (0000-0002-0282-9387, Amsterdam Museum, corresponding author) |
| Year | 2008 |
| Volume | 6 |
| Issue | 2 |
| Pages | 145-157 |
| Publication date | 2008-06-24 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Early Popular Visual Culture (JOURNAL) |
| Journal identifiers | ISSN: 1746-0654 • E-ISSN: 1746-0662 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/17460650802150408 |
| OpenAlex | W1992684100 |
| Language | EN |
| Citations received | 6 |
| References cited | 4 |
This article is about the use of early films and postcards in the Ottoman Empire for political and ideological purposes in the period before the First World War. By focusing on important political events and happenings such as revolutions, coronations and elections, it shows how these two new forms of representation functioned as, or became part of, political propaganda
Aesthetics · Ancient history · Art · Empire · Ideology · Ottoman empire · Period (music · Political science · Politics · Representation (politics · Visual arts · Visual culture · Historical Turkish Studies · History · Law
| Citations per year | 0.5 |
|---|---|
| Citation span | 2014 - 2025 (12) |
| Highly cited | No |