Inventing the nation
Diorama in Norway 1888–1894
Bibliographic Data
| ID | 12896102 |
|---|---|
| Authors | Gunnar Iversen (0000-0002-8089-4643, Norwegian University of Science and Technology, corresponding author) |
| Year | 2011 |
| Volume | 9 |
| Issue | 2 |
| Pages | 123-129 |
| Publication date | 2011-05-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Early Popular Visual Culture (JOURNAL) |
| Journal identifiers | ISSN: 1746-0654 • E-ISSN: 1746-0662 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/17460654.2011.571037 |
| OpenAlex | W2077127065 |
| Language | EN |
| Citations received | 1 |
| References cited | 2 |
This article discusses the role of images, visual popular culture and especially diorama paintings in the creation of nationalism in Norway. The influential theorist Benedict Anderson has privileged the role of print media, and especially newspapers, in the creation and global spread of nation states and nationalism in the nineteenth century, and he does not include visual cuilture in his analysis. This article uses Norway and diorama paintings and diorama buildings to argue that images and visual representation were important in the creation of nationalism in Norway in the late nineteenth century. Diorama paintings did play a role in the construction of the new country Norway, that became a soveriegn state in 1905, ending a union with Sweden
Art · Art history · Media studies · Nationalism · Newspaper · Painting · Political science · Representation (politics · Sociology · Visual arts · Visual culture · European Cultural and National Identity · Historical Influence and Diplomacy · Law · Visual Culture and Art Theory
| Citations per year | 0.08 |
|---|---|
| Citation span | 2014 - 2014 (1) |
| Highly cited | No |