Chronophotography in the context of moving pictures
Bibliographic Data
| ID | 12896147 |
|---|---|
| Authors | Deac Rossell (0000-0001-7483-1681, Goldsmiths University of London, corresponding author) |
| Year | 2013 |
| Volume | 11 |
| Issue | 1 |
| Pages | 10-27 |
| Publication date | 2013-02-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Early Popular Visual Culture (JOURNAL) |
| Journal identifiers | ISSN: 1746-0654 • E-ISSN: 1746-0662 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/17460654.2012.756651 |
| OpenAlex | W2007028404 |
| Language | EN |
| Citations received | 2 |
This article, originally a talk given at Kingston Museum in 2010, considers the ‘four great chronophotographers’ – Eadweard Muybridge, Étienne-Jules Marey, Georges Demenÿ, and Ottomar Anschütz, and their reputations as ‘inventors of cinema’ – in the context of achievements by lesser known workers including Victor von Reitzner, George William de Bedts, Ernst Kohlrausch, Robert Dempsey Gray, and William Gilman Thompson, many of whom saw a different methodology for making series photographs turn into moving pictures, for different purposes. The article suggests ways in which the story of chronophotography in the context of moving pictures is currently incomplete
Archaeology · Art · Art history · Context (archaeology · George (robot · Movie theater · Visual arts · Cinema and Media Studies · European history and politics · History · Photography and Visual Culture
| Citations per year | 0.5 |
|---|---|
| Citation span | 2022 - 2023 (2) |
| Highly cited | No |