From Sacred Grove to Dark Wood to Re-enchanted Forest (Part II)

Many human cultures have venerated forests and trees. I argue that the ubiquity of arborphilia across hemispheres, wherever forests have existed, suggests an evolutionary process that allowed adaptation to such arboreal realms throughout the world. Because trees in their constant recycling through the seasons evoke the ambivalence associated with death and renewal, paradoxical perceptions of forests and trees have coexisted throughout history. Depending on the era and culture, such attitudes about forests and groves have ranged from viewing them as hallowed sanctuaries deserving of protection from desecration, to fearing them as places inhabited by Satan or demonic spirits (explored in Part I), to appreciating them as not only aesthetically worthy but crucial for human survival (explored in Part II). An ecocritical examination of some of the many ways that tree veneration has been expressed culturally—through music, poetry, folktales, literature, film, and even jokes and advertising—reveals that loving trees provides a fundamental root for neo-romantic environmental ethics

Adaptation (eye · Aesthetics · Ambivalence · Arboreal locomotion · Archaeology · Art · Biology · Environmental ethics · Literature · Psychoanalysis · Romance · Veneration · Geographies of human-animal interactions · History · Philosophy · Psychology · Ecology