Trading Luxury Glass, Picturing Collections and Consuming Objects of Knowledge in Early Seventeenth‐Century Antwerp
Bibliographic Data
| ID | 12903018 |
|---|---|
| Authors | Sven Dupre (0000-0002-1110-1654, Max Planck Society, corresponding author) |
| Year | 2010 |
| Volume | 20 |
| Issue | 1 |
| Pages | 53-78 |
| Publication date | 2010-03-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Intellectual History Review (JOURNAL) |
| Journal identifiers | ISSN: 1749-6977 • E-ISSN: 1749-6985 |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.1080/17496971003638258 |
| OpenAlex | W2007129323 |
| Language | EN |
| Citations received | 3 |
In this assessment of the intersection of trade, picturing collections and knowledge‐making in Early Modern Antwerp, the focus is on the role of luxury glass, mirror and lens technology and the science of optics. Emphasizing the social ties that facilitated these intersections, it is argued that newly invented luxury goods such as the pictures of collections and the art cabinets allowed Antwerp craftsmen, artists and art dealers to export the message that the material objects in which they traded were objects of knowledge: not to everyone, however, but to those who desired membership of a select community
Art · Art history · Visual arts · Art History and Market Analysis · History
| Unique citing works | 3 |
|---|---|
| Citations per year | 0,27 |
| Citation span | 2015 - 2022 (8) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 3 |