Trauma, Postmodernism and Descent
Contemporary Holocaust Criticism in Britain
Bibliographic Data
| ID | 12904210 |
|---|---|
| Authors | Sue Vice (0000-0002-4772-7739, corresponding author) |
| Year | 2005 |
| Volume | 11 |
| Issue | 1 |
| Pages | 99-118 |
| Publication date | 2005-06-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Holocaust Studies (JOURNAL) |
| Journal identifiers | ISSN: 1750-4902 • E-ISSN: 2048-4887 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/17504902.2005.11087144 |
| OpenAlex | W1486606598 |
| Language | EN |
| Citations received | 1 |
My purpose in this article is to show the distinctiveness of literary-critical approaches to Holocaust literature in Britain. I argue that, particularly in the five years since 2000, the North American hegemony in English-language critical and theoretical analysis has been challenged and questioned, sometimes explicitly, sometimes by implication. The title of the article refers to the three critical tropes most central to this work
Art · Critical practice · Critical theory · Criticism · Epistemology · Hegemony · Literary criticism · Literature · Optimal distinctiveness theory · Political science · Politics · Postmodernism · Social science · Sociology · The Holocaust · Contemporary Literature and Criticism · Law · Memory, Trauma, and Commemoration · Philosophy · Polish-Jewish Holocaust Memory Studies · Psychology · Social Psychology
| Citations per year | 0.2 |
|---|---|
| Citation span | 2021 - 2021 (1) |
| Highly cited | No |