Figuring the Grey Zone
The Auschwitz Sonderkommando in contemporary culture
Bibliographic Data
| ID | 12904239 |
|---|---|
| Authors | Dominic Williams (0000-0002-7387-8928, University of Leeds, corresponding author) |
| Year | 2018 |
| Volume | 25 |
| Issue | 1-2 |
| Pages | 141-157 |
| Publication date | 2018-06-12 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Holocaust Studies (JOURNAL) |
| Journal identifiers | ISSN: 1750-4902 • E-ISSN: 2048-4887 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/17504902.2018.1472880 |
| OpenAlex | W2807742024 |
| Language | EN |
| Citations received | 1 |
| References cited | 14 |
This essay reads the ways in which the Auschwitz Sonderkommando figure in the film The Grey Zone (2001) and the comic book Magneto: Testament (2009). The almost archetypally traumatic experiences of the Sonderkommando have made them a difficult subject for many media. But in forms and genres which place great emphasis on character and plot it has actually made them a way to figure some of the key difficulties of trauma. This essay shows how the generic conventions of gangster films and superhero origin stories allow The Grey Zone and Magneto to address both the moral questions of the Sonderkommando’s position and the ways in which they are able to bear witness
Aesthetics · Art · Character (mathematics · Comics · Figuring · Linguistics · Literature · Plot (graphics · Sociology · Subject (documents · Witness · Comics and Graphic Narratives · Computer Science · German History and Society · Memory, Trauma, and Commemoration · Philosophy
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,17 |
| Citation span | 2020 - 2020 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |