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Radhe, Radhe

Continuity and Change in the Contemporary Oral Performance of the Bhagavatapurana

Bibliographic Data

ID12908306
AuthorsMccomas Taylor (0000-0002-8048-1195, Australian National University, corresponding author)
Year2012
Volume6
Issue1
Pages83-101
Publication date2012-11-23
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueReligions of South Asia (JOURNAL)
Journal identifiersISSN: 1751-2689 • E-ISSN: 1751-2697
PublisherEquinox Publishing (PUBLISHER • GB)
DOI10.1558/rosa.v6i1.83
OpenAlexW2010904500
LanguageEN
Citations received3
References cited2

This article focuses on the sacred week-long story-telling event known as a Bhagavat-saptah. The saptah centres on narratives of the deity Visnu and, in particular, his manifestation as Krsna, and on Krsna’s devoted lover Radha. These stories are preserved in their most authoritative form in the Sanskrit text of the Bhagavatapurana. First I will examine the traditional instructions for holding a saptah, which I will call the ‘archetype’. I will then describe a saptah which took place at Vrindavan, Uttarpradesh, India, in November 2009. I will then compare the archetype with the case study, identifying six major continuities: the central role of the text, temporal aspects, economic considerations, visual preparation, spatial arrangements and social inclusiveness. I also identify two major divergences: the sectarian content and the use of the vernacular. Finally, I seek to explain both in terms of modernizing processes. Continuity and divergence are found to take place both in spite of, and because of, such processes

Aesthetics · Archetype · Art · Divergence (linguistics · Event (particle physics · Linguistics · Literature · Narrative · Sanskrit · Sociology · Vernacular · Anthropological Studies and Insights · Folklore, Mythology, and Literature Studies · History · Philippine History and Culture · Philosophy

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Unique citing works3
Citations per year0,23
Citation span2013 - 2015 (3)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 3

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