The Politics of Journalistic Creativity
Expressiveness, authenticity and de-authorization
Bibliographic Data
| ID | 12909714 |
|---|---|
| Authors | Tim Markham (0000-0002-7304-2610, Russian State Agrarian Correspondence University, corresponding author) |
| Year | 2011 |
| Volume | 6 |
| Issue | 2 |
| Pages | 187-200 |
| Publication date | 2011-10-18 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journalism Practice (JOURNAL) |
| Journal identifiers | ISSN: 1751-2786 • E-ISSN: 1751-2794 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/17512786.2011.616651 |
| OpenAlex | W1558456817 |
| Language | EN |
| Citations received | 11 |
| References cited | 32 |
This article begins with the assertion that creativity in journalism has moved from being a matter of guile and ingenuity to being about expressiveness, and that this reflects a broader cultural shift from professional expertise to the authenticity of personal expression as dominant modes of valorization. It then seeks to unpack the normative baggage that underpins the case for creativity in the cultural industries. First, there is a prioritization of agency, which does not stand up against the phenomenological argument that we do not own our own practices. Second, creative expression is not necessarily more free, simply alternately structured. As with Judith Butler's performativity model, contemporary discourses of creativity assume it to have a unique quality by which it eludes determination (relying on tropes of fluidity), whereas it can be countered that it is in spontaneous, intuitive practice that we are at our least agentive. Third, the article argues against the idea that by authorizing journalists (and audiences) to express themselves, creativity is democratizing, since the always-already nature of recognition means that subjects can only voice their position within an established terrain rather than engage active positioning
Aesthetics · Agency (philosophy · Argument (complex analysis · Assertion · Creativity · Epistemology · Expression (computer science · Journalism · Media studies · Meritocracy · Normative · Performative utterance · Performativity · Political science · Politics · Social science · Sociology · Artistic and Creative Research · Cinema and Media Studies · Cultural Industries and Urban Development · Gender Studies · Law
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I, Robot. You, Journalist. Who is the Author?
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Performing Transparency in vlog News
Using computational tools to support journalists’ creativity
Reconciling neologisms and the need for precision in tourism epistemology
Creating an Atmosphere
Confessional Journalism, Authenticity and Lived Experiences
What if Reporters Need Creativity to Keep Their Jobs
Managing Creativity in Change
Exploring Journalists’ Intentions to Become Social Entrepreneurs
Media Consumption and Public Engagement
Risk Society
New rules of sociological method
The McDonaldization of society
Communication and the Evolution of Society
Interaction Ritual
Writing and Difference
The Cultural Industries
The McDonaldization of Society
Audience Reception and News in Everyday Life
Creating Fear
L'emprise du journalisme
Active Audiences and the Construction of Public Knowledge
Cultural anxiety 2.0
Complexifying media power
Rethinking Practices and Structures
Liquid modernity and power
The (un)bearable lightness of being
The Handbook of Journalism Studies
US newspaper types, the newsroom, and the division of labor, 1750–2000
The Journalistic Gut Feeling
Brazilian journalists' perceptions of media roles, ethics and foreign influences on Brazilian journalism
Scowling at their Notebooks
Journalists are the confessors of the public', says one Foucaultian
Risk society
Interaction Ritual - Essay on Face-to-Face behavior
Structure and Agency and the Sticky Problem of Culture
Journalism
In the Social Factory
| Unique citing works | 11 |
|---|---|
| Citations per year | 1 |
| Citation span | 2015 - 2025 (11) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 11 |