From Affective to Aesthetic Economics
Globalization and the Commodification of Difference on French Idol
Bibliographic Data
| ID | 12910033 |
|---|---|
| Authors | Jill Campaiola-Veen (Rutgers Sexual and Reproductive Health and Rights, corresponding author) |
| Year | 2012 |
| Volume | 5 |
| Issue | 2 |
| Pages | 89-105 |
| Publication date | 2012-02-22 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of International and Intercultural Communication (JOURNAL) |
| Journal identifiers | ISSN: 1751-3065 • E-ISSN: 1751-3057 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/17513057.2012.662240 |
| OpenAlex | W2329974386 |
| Language | EN |
| Citations received | 3 |
| References cited | 28 |
Hybridization scholars have shown that the implosion of culture in response to globalization has led nations to feel threatened and thus reclaim their cultural differences. Nouvelle Star, the French version of American Idol, is a powerful representation of this process. The global format which emphasized popularity and emotions was rejected to showcase traits considered to be distinctly French: intellectualism and musical taste. By exploring the franchise's history and analyzing Nouvelle Star's episodes and audience responses, this paper describes how global similarities and national differences were produced in a movement of cultural hybridization
Aesthetics · Art · Commodification · Globalization · Media studies · Political science · Popularity · Representation (politics · Sociology · Taste · Tourism · Asian Culture and Media Studies · Gender, Feminism, and Media · Law · Media, Gender, and Advertising · Psychology · Social Psychology
Cultural autonomy in global communications
Comparing Media Systems
Culture, communication, and the challenge of globalization
The field of cultural production
Distinction
Contemporary French Cultural Studies
Communication and Cultural Domination
Popular Music in Contemporary France
Convergence Culture
Convergence Culture
Unthinking Eurocentrism
The Global Jukebox
On Unthinking Eurocentrism
Hybridity, or the Cultural Logic of Globalization
The Rules of Art
The Work That Affective Economics Does
Audiences and everyday aesthetics
Bourdieu, the media and cultural production
Transnationals and the Third World
McTV
Everything Bad Is Good For You
The Business of Media
How States, Markets and Globalization Shape the News
Disjuncture and Difference in the Global Cultural Economy
| Citations per year | 0.23 |
|---|---|
| Citation span | 2013 - 2018 (6) |
| Highly cited | No |