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Hong Kong's vehicles of democracy

The vernacular monumentality of buses during the Umbrella Revolution

Bibliographic Data

ID12910238
AuthorsAndrew Gilmore (0000-0001-6857-6354, Colorado State University, corresponding author)
Year2019
Volume13
Issue4
Pages328-346
Publication date2019-08-06
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of International and Intercultural Communication (JOURNAL)
Journal identifiersISSN: 1751-3065 • E-ISSN: 1751-3057
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/17513057.2019.1646789
OpenAlexW2965266255
LanguageEN
Citations received2
References cited20

Hong Kong's Umbrella Revolution saw some of the city's busiest streets transformed into temporary sites of artistic expression and freedom. This essay explores the everyday items were turned into in-situ tools of protest – in particular, the subversive use of double-decker buses. I analyze how a number of double-decker buses were transformed from a form of moving rhetoric into static, vernacular monuments representing Hong Kong's history and serving as democratic billboards. Through the display of Hong Kong's present (mainlandization), past (colonization), and future (democracy), the city's protesters were, I suggest, able to communicate their fears about the increasing effects of mainlandization in an attempt to shift Hong Kong's political possibilities

Aesthetics · Art · Democracy · Linguistics · Literature · Media studies · Political science · Politics · Rhetoric · Sociology · Vernacular · History · Hong Kong and Taiwan Politics · Law · Socioeconomic Development in Asia · Southeast Asian Sociopolitical Studies

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Unique citing works2
Citations per year0,4
Citation span2021 - 2024 (4)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 2

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