Gret Palucca and Charlotte Rudolph; Promotional Strategies to Access Modernism
Bibliographic Data
| ID | 12910367 |
|---|---|
| Authors | Ilaria Puri Purini (corresponding author) |
| Year | 2016 |
| Volume | 9 |
| Issue | 1 |
| Pages | 25-38 |
| Publication date | 2016-01-02 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Photography and Culture (JOURNAL) |
| Journal identifiers | ISSN: 1751-4517 • E-ISSN: 1751-4525 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/17514517.2016.1153266 |
| OpenAlex | W2504725287 |
| Language | EN |
| Citations received | 1 |
| References cited | 4 |
This paper presents the dances of Gret Palucca in the photographs of Charlotte Rudolph, analyzing how these images were particularly apt at circulating across different print media, such as magazines, posters, advertisements as well as theoretical treatises associated to the Bauhaus. While addressing how dance is represented by photography, this paper will investigate the contradictions inherent in dance photography: documenting Palucca’s dance on the one hand, while bearing the personal and technical choices of Rudolph on the other. Their professional, collaborative relation represents an example of mutual cooperation to intentionally stage images that can navigate widely across media, while simultaneously encouraging Palucca’s association with modern art
Art · Art history · Dance · Modernism (music · Photography · Relation (database · Sociology · Visual arts · Art Education and Development · Art, Politics, and Modernism · Art, Technology, and Culture · Computer Science
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,2 |
| Citation span | 2021 - 2021 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |