Aesthetics and Perception

Pastness in Charles Frederick Moore’s Xiyang Lou Imagery

Bibliographic Data

ID12910522
AuthorsYuansheng Luo (0000-0002-9850-4770, corresponding author), Dominique Bauer (0000-0002-7704-2431)
Year2024
Volume17
Issue4
Pages357-382
Publication date2024-10-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenuePhotography and Culture (JOURNAL)
Journal identifiersISSN: 1751-4517 • E-ISSN: 1751-4525
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/17514517.2024.2444038
OpenAlexW4406665397
LanguageEN
Citations received1
References cited25

sponsorship: The authors extend their heartfelt gratitude to Prof. Thomas Coomans (KU Leuven), Prof. Hilde Heynen (KU Leuven), Prof. Scott Soo (University of Southampton), Prof. Aude Campmas (University of Southampton), Prof. Mechthild Fend (Goethe University Frankfurt), Prof. Frederike Middelhoff (Goethe University Frankfurt), Dr. Miguel A. Gaete, and the colleagues at the conference "Romanticism's Colonial Legacies in and Beyond Europe" for their invaluable assistance and insightful suggestions. Special thanks are due to the BC Archive in Canada for providing essential materials. The authors also deeply appreciate the Association for Art History (UK) for generously covering the image licensing fees used in this article. Finally, sincere thanks are extended to Xinyuan Dang (KU Leuven) for his expertise and help during the article submission process. (China Scholarship Council (CSC), Association for Art History (UK))

Aesthetics · Art · Art history · Epistemology · Perception · Chinese history and philosophy · Cultural Heritage Management and Preservation · Museums and Cultural Heritage · Philosophy

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