Foreign Friends and Problematic Heroes
Remembering a Global World War Two in Early Twenty-first Century Chinese Cinema
Dados Bibliográficos
| ID | 12914547 |
|---|---|
| Autores | Helena F S Lopes (0000-0002-3059-2479, University of Bristol, autor correspondente) |
| Ano | 2020 |
| Volume | 15 |
| Fascículo | 1 |
| Páginas | 42-66 |
| Data de publicação | 2020-07-21 |
| Peer Reviewed | Sim |
| Open Access | Sim |
| Tipo | ARTICLE |
| Periódico | Journal of War and Culture Studies (JOURNAL) |
| Identificadores do periódico | ISSN: 1752-6272 • E-ISSN: 1752-6280 |
| Editora | Routledge (PUBLISHER • GB) |
| DOI | 10.1080/17526272.2020.1795360 |
| OpenAlex | W3044536496 |
| Idioma | EN |
| Citações recebidas | 2 |
| Referências citadas | 46 |
Engaging with the growing scholarship on China's War with Japan (1937Japan ( -1945) ) as part of a global World War Two, this article queries how the internationalization of China's War of Resistance has been (re)constructed in popular fiction films since the 2000s. It analyses representations of Sino-foreign interactions in China's mainstream onscreen memorialization of the war and how these productions have sought global recognition. It argues that, despite not always appreciated by foreign audiences and critics, depictions of China's war effort have been imbued with a considerable degree of ambiguity, comprising praise for forms of transnational solidarity and a growing assertion of China's role in a conflict of global significance. The article also explores the role of war cinema in projecting Chinese nationalism to domestic and international audiences and reflects on recent films whose exhibition problems signal changing constraints on what can be shown as heroic representations of China at war
Art · China · Diplomacy · Literature · Mainstream · Media studies · Movie theater · Nationalism · Political economy · Political science · Politics · Praise · Scholarship · Sociology · Asian Culture and Media Studies · History · Hong Kong and Taiwan Politics · Japanese History and Culture · Law
The Nanking Atrocity, 1937-38
History, identity, and security
The Generalissimo
Visual Culture in Contemporary China
Pursuing soft power through cinema
The Making of "The Rape of Nanking"
The Ecology of War in China
War and Popular Culture
Wuhan, 1938
War and Nationalism in China
The Chinese People at War
Cosmopolitan Cinema
East Asia’s Haunted Present
Ruptured histories
Divine Work, Japanese Colonial Cinema and its Legacy
China's War with Japan, 1937–1945
Chinese and Japanese Films on the Second World War
Cinematic representations of the rape of nanking
Genre Film, Media Corporations, and the Commercialisation of the Chinese Film Industry
The evolution of Chinese film policy
The importance of ‘Othering’ in China's national identity
Owning up to the past
Imagining Japan in post-war East Asia
The reinvention of Hollywood's classic white saviour tale in contemporary Chinese cinema
China's History Activists and the War of Resistance Against Japan
China's New Nationalism
Gaming, Nationalism, and Ideological Work in Contemporary China
Presentism and China's Changing Wartime Past
Redefining Wartime Chongqing
Remember History, Not Hatred
China's New Remembering of World War II
Contested Images of Rape
| Obras citantes distintas | 2 |
|---|---|
| Citações por ano | 2 |
| Intervalo de citações | 2025 - 2026 (2) |
| Velocidade de citação | current |
| Altamente citado | Não |
| Tipos de citação | Neutras: 1 |