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Social Remembering, Disenchantment and First World War Literature, 1918–1930

Bibliographic Data

ID12914670
AuthorsAndrew Frayn (0000-0001-6253-1454, Edinburgh Napier University, corresponding author)
Year2018
Volume11
Issue3
Pages192-208
Publication date2018-07-03
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of War and Culture Studies (JOURNAL)
Journal identifiersISSN: 1752-6272 • E-ISSN: 1752-6280
PublisherRoutledge (PUBLISHER • GB)
DOI10.1080/17526272.2018.1490072
OpenAlexW2859372203
LanguageEN
References cited28

The way that the First World War would be remembered was yet to be solidified in the years immediately after the Armistice and peace treaties. Using key case studies from the years 1918 to 1930 by combatant authors Gilbert Frankau, Ernest Raymond, C.E. Montague, R.C. Sherriff and Richard Aldington, this article charts the development of the complex relationship between the dominant heroic mode and emergent modern disenchantment. Theories of social remembering provide a valuable framework for understanding the social processes by which disenchantment became a, if not the, widely-held memory of the conflict, reaching acceptance in the War Books Boom that followed the dual successes of Erich Maria Remarque’s Im Westen Nichts Neues, first serialized on the tenth anniversary of the armistice, and Sherriff's Journey's End, first performed the following month

Ancient history · Art history · Combatant · Disenchantment · First world war · Political science · Sociology · World War II · History · Law · Memory, Trauma, and Commemoration · Military, Security, and Education Studies · World Wars: History, Literature, and Impact

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Citation velocityhistorical
Highly citedNo

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