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Moving Beyond the Rhetoric of Provocation

The French and World War II in the Novels of the Hussards (1949–1954)

Bibliographic Data

ID12914875
AuthorsMANU BRAGANCA (0000-0001-9656-5011, Queen's University Belfast, corresponding author)
Year2015
Volume8
Issue3
Pages228-239
Publication date2015-06-17
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of War and Culture Studies (JOURNAL)
Journal identifiersISSN: 1752-6272 • E-ISSN: 1752-6280
PublisherRoutledge (PUBLISHER • GB)
DOI10.1179/1752628015y.0000000015
OpenAlexW1601242901
LanguageEN
References cited21

In the immediate aftermath of World War II, only those who had opposed the Germans or were perceived to have done so could freely express themselves. Soon, however, three young writers clearly leaning to the right of the political spectrum – Antoine Blondin, Roger Nimier, and Jacques Laurent – dared to challenge their narratives in a series of provocative novels published between 1949 and 1954. Quickly referred to as the Hussards after the publication in of a famous essay by Bernard Frank, these writers momentarily occupied the literary space left vacant by their older peers. Without denying the provocative, political and subversive dimensions of the Hussards' war novels, this article will argue that their success was mainly due to the fact that they were largely in line – and not in contradiction – with the ‘horizon of expectations’ of their time ()

Art · Contradiction · Epistemology · First world war · Humanities · Linguistics · Literature · Narrative · Political science · Politics · Rhetoric · Sanity · World War II · French Literature and Critical Theory · Historical and Political Studies · History · Law · Philosophy · Political and Social Issues

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Citation velocityhistorical
Highly citedNo

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