Behind the Stiff Upper Lip
War Narratives of Older Men with Dementia
Bibliographic Data
| ID | 12914920 |
|---|---|
| Authors | Andrea Capstick (0000-0002-6775-0266, University of Bradford, corresponding author), David Clegg (Rambus (United Kingdom)) |
| Year | 2013 |
| Volume | 6 |
| Issue | 3 |
| Pages | 239-254 |
| Publication date | 2013-08-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of War and Culture Studies (JOURNAL) |
| Journal identifiers | ISSN: 1752-6272 • E-ISSN: 1752-6280 |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.1179/1752627213z.00000000021 |
| OpenAlex | W1973995565 |
| Language | EN |
| Citations received | 11 |
| References cited | 20 |
The concept of the stiff upper lip stands as a cultural metaphor for the repression and figurative ‘biting back’ of traumatic experience, particularly in military contexts. For men born in the first half of the twentieth century, maintaining a stiff upper lip involved the ability to exert high levels of cognitive control over the subjective, visceral, and emotional domains of experience. In the most common forms of dementia, which affect at least one in five men now in their 80s and 90s, this cognitive control is increasingly lost. One result is that, with the onset of dementia, men who have in the intervening years maintained a relative silence about their wartime experiences begin to disclose detailed memories of such events, in some cases for the first time. This article draws on narrative biographical data from three men with late-onset dementia who make extensive reference to their experience of war. The narratives of Sid, Leonard, and Nelson are used to explore aspects of collective memory of the two World Wars, and the socially constructed masculinities imposed on men who grew up and came of age during those decades. The findings show that in spite of their difficulties with short-term memory, people with dementia can contribute rich data to cultural studies research. Some aspects of the narratives discussed here may also be considered to work along the line of the counter-hegemonic, offering insights into lived experiences of war that have been elided in popular culture in the post-War years
Aesthetics · Art · Dementia · Hegemony · Linguistics · Literature · Metaphor · Narrative · Political science · Politics · Silence · Sociology · Autobiographical and Biographical Writing · Gender Studies · History · Identity, Memory, and Therapy · Law · Medicine · Memory, Trauma, and Commemoration · Psychology
Critical Dementia Studies
Migration and Cognitive Health Disparities
Stiff upper lips
Beliefs about others’ positive emotional expressions
Intentionality, capacity, and communication
Place memory and dementia
Resisting decline? Narratives of independence among aging limbless veterans
Dementia and the gender trouble
Situating Words
Facing the fear
A gradual separation from the world
Present Pasts
Mediation, Remediation, and the Dynamics of Cultural Memory
Unclaimed Experience
The body at war
Memory texts and memory work
Narrative(,) citizenship and dementia
Coping with traumatic memories
Bitter Harvest
Dementia in a socio-cultural context
National Trauma and Collective Memory
Writing history, writing trauma
Re-remembering the Soldier Hero
Writing the "Wrongs" of Fieldwork
The Narrative Construction of the Self
| Unique citing works | 11 |
|---|---|
| Citations per year | 1 |
| Citation span | 2015 - 2026 (12) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 10 |