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Reckoning with Perpetrators and Collaborators

Accountability and Transitional Justice in Latin American Postdictatorship Cinema

Bibliographic Data

ID12915004
AuthorsMariana Cunha (0000-0003-1202-1194, Universidade Federal de Pernambuco, corresponding author)
Year2021
Volume15
Issue2
Pages448-458
Publication date2021-02-19
Open AccessYes
TypeARTICLE
VenueInternational Journal of Transitional Justice (JOURNAL)
Journal identifiersISSN: 1752-7716 • E-ISSN: 1752-7724
PublisherOxford University Press (OUP) (PUBLISHER)
DOI10.1093/ijtj/ijab009
OpenAlexW3210892873
LanguageEN

El pacto de Adriana (Adriana’s Pact), dir. Lissette Orozco. Chile, 2017. Haydee y el pez volador (Haydee and the Flying Fish), dir. Pachi Bustos. Chile, 2019. Pastor Claudio, dir. Beth Formaggini. Brazil, 2017. Responsabilidad empresarial (Corporate Accountability), dir. Jonathan Perel. Argentina, 2020. Latin America’s entangled histories of civil-military dictatorships have been fertile ground for film production about state violence and terrorism, mostly focusing on victims’ trauma narratives and the reconstruction of the personal memories of dissidents and opponents during authoritarian rule. The abundance of both fiction and documentary films since the transitions to democracy in the region in the 1980s has helped shape a historical memory of the atrocities of these regimes, as well as a reckoning with the personal traumas of the families of abducted, tortured and murdered victims. Recently, several documentaries have sought to denounce the failures of legal systems through narratives that urge

Accountability · Art · Art history · Authoritarianism · Crimes against humanity · Cruelty · Democracy · Dictatorship · Economic Justice · International law · Latin Americans · Literature · Movie theater · Narrative · Political science · Politics · Sociology · State (computer science · Terrorism · Transitional justice · War crime · Cinema History and Criticism · Law in Society and Culture · Memory, violence, and history · History · Law

Highly citedNo

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