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Ourika mania’

Interrogating race, class, space, and place in early nineteenth-century France

Bibliographic Data

ID12915645
AuthorsRobin Mitchell (DePaul University, corresponding author)
Year2015
Volume10
Issue1
Pages85-95
Publication date2015-09-22
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueAfrican and Black Diaspora An International Journal (JOURNAL)
Journal identifiersISSN: 1752-8631 • E-ISSN: 1752-864X
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/17528631.2015.1085665
OpenAlexW2463394159
LanguageEN
References cited10

The Duchess de Duras heard about a little black girl who had, in 1788, been purchased as a house pet by the Governor of Senegal and given to his uncle, Monsieur de Beauvau. In 1820, the Duchess began writing a novel about the child (creating the first black female protagonist in European literature). Fifty anonymous copies of ‘Ourika’ were privately published in 1823, but the copies did not remain in the shadows for long. This essay examines how and why this black girl became such a potent representation, so popular that she inspired a brief but important period of hyper-visibility in Paris: ‘Ourika Mania.’ What interrogations of categories and spaces in early nineteenth-century Paris open up through our investigation of both the real and fictional ‘Ourikas?’ The dilemmas sparked by representations of Ourika reiterated that no matter how ‘proper’ the body, blackness precluded inclusion into definitions of Frenchness

Aesthetics · Art · Art history · Girl · Literature · Mania · Period (music · Political science · Politics · Race (biology · Representation (politics · Sociology · Decadence, Literature, and Society · Gender Studies · Historical Studies and Socio-cultural Analysis · History · Law · Literature and Culture Studies · Philosophy · Psychology

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Citation velocityhistorical
Highly citedNo

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