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Creation of an exportable culture

A cosmopolitan West Indian case

Bibliographic Data

ID12915744
AuthorsMaica Gugolati (0000-0002-0211-5579, Institut des Mondes Africains, corresponding author)
Year2018
Volume11
Issue3
Pages247-262
Publication date2018-03-22
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueAfrican and Black Diaspora An International Journal (JOURNAL)
Journal identifiersISSN: 1752-8631 • E-ISSN: 1752-864X
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/17528631.2018.1451597
OpenAlexW2792432209
LanguageEN
References cited21

This paper describes a recent cultural plan debated by members of the West Indian diaspora in Canada which sought to promote carnival as a multicultural expression of pan-Caribbean identity at the Hong Kong New Year International Festival, China. It deconstructs a cultural plan which did not succeed in its realization. As the Canadian West Indian carnival has its stylistic origin in the Caribbean country of Trinidad and Tobago, this proposition combines three different geographical areas and the related diasporas’ displacements under the notion of a local and global cultural promotion. In the article, I discuss the modes of creation and enactment of a diasporic patrimony as a culture to be presented in answer to foreign expectations of spectacle. The analysis approaches diasporic Canadian reflections about displacement, marginalization, and matters of cultural belonging, alongside economic dependencies, reflections that aim to gain visibility and international recognition through the production of an ‘ethnic spectacle’

Aesthetics · Art · Cultural identity · Diaspora · Ethnic group · Identity (music · Media studies · Multiculturalism · Negotiation · Political science · Politics · Promotion (chess · Sociology · Spectacle · Anthropology · Asian Culture and Media Studies · Diaspora, migration, transnational identity · Gender Studies · Law · Music History and Culture

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Citation velocityhistorical
Highly citedNo

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