Laughing at the Redeemer
Kundry and the Paradox of Parsifal
Bibliographic Data
| ID | 12917491 |
|---|---|
| Authors | Matthew Wilson Smith (0000-0003-0625-5402, Smith Family, corresponding author) |
| Year | 2007 |
| Volume | 3 |
| Issue | 1 |
| Pages | 5-25 |
| Publication date | 2007-10-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Modernist Cultures (JOURNAL) |
| Journal identifiers | ISSN: 1753-8629 • E-ISSN: 2041-1022 |
| Publisher | Edinburgh University Press (PUBLISHER • GB) |
| DOI | 10.3366/e204110220900029x |
| OpenAlex | W1577259397 |
| Language | EN |
| Citations received | 2 |
Matthew Wilson Smith discusses Wagner's “Parsifal” in relation to emerging discourses of psychology and aesthetics, and suggests that the work becomes in the process a proto-modern opera that dramatizes the increasingly problematic nature of both the self and representation
Aesthetics · Art · Literature · Opera · Political science · Relation (database · Representation (politics · Computer Science · German Literature and Culture Studies · Historical, Literary, and Cultural Studies · Law · Musicology and Musical Analysis
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,29 |
| Citation span | 2019 - 2019 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |