Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Rose Macaulay and Propaganda

Bibliographic Data

ID12917544
AuthorsJames Purdon (0000-0003-3553-2149, corresponding author)
Year2021
Volume16
Issue4
Pages449-468
Publication date2021-11-01
Open AccessYes
TypeARTICLE
VenueModernist Cultures (JOURNAL)
Journal identifiersISSN: 1753-8629 • E-ISSN: 2041-1022
PublisherEdinburgh University Press (PUBLISHER • GB)
DOI10.3366/mod.2021.0347
OpenAlexW4200210395
LanguageEN

The novelist Rose Macaulay (1881–1958) had direct professional experience of Britain's secret propaganda operation during the First World War. She was among the first British novelists to take propaganda seriously as a subject for fiction, and wrote insightfully about its methods and its social implications. Moreover, her long career illuminates both the continuity and the development of the British state's clandestine efforts to shape public opinion at home and abroad, from the beginnings of systematic, state-directed propaganda in the First World War to the more diffuse strategies of early Cold War anti-communism. Despite her close connections to propaganda in both world wars, however – and notwithstanding the interest her fiction very frequently takes in the worlds of official information, disinformation, and espionage – Macaulay has hardly figured in recent scholarship on the links between literature and national information systems. This article argues that Macaulay approached the challenge of reconciling propaganda and literature differently from many of her modernist contemporaries, refusing to abandon the idea of fiction as a persuasive and socially-engaged form of imaginative writing. If this position made her an outlier in the climate of reaction against propaganda which followed the First World War, it would, by the early years of the Cold War, seem much more tenable. In its first half, the article establishes Macaulay's bona fides as a participant in Britain's wartime propaganda establishment, and describes the impression this experience left on her early fiction. It then turns to Macaulay's final novel, The Towers of Trebizond, in which religious propaganda and anti-communist rhetoric combine, to great comic effect, in the febrile atmosphere of the Cold War middle east

Art · Communism · Disinformation · Espionage · Literature · Media studies · Political science · Politics · Scholarship · Social media · Sociology · State (computer science · Subject (documents · History · Intelligence, Security, War Strategy · Irish and British Studies · Law · Military History and Strategy

Highly citedNo

Tools

Open DOI
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae