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Noël Coward, Rebecca West, and the Modernist Scene

Bibliographic Data

ID12917561
AuthorsFaye Hammill (0000-0002-2845-6654, corresponding author)
Year2016
Volume11
Issue3
Pages351-369
Publication date2016-10-25
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueModernist Cultures (JOURNAL)
Journal identifiersISSN: 1753-8629 • E-ISSN: 2041-1022
PublisherEdinburgh University Press (PUBLISHER • GB)
DOI10.3366/mod.2016.0145
OpenAlexW2501253963
LanguageEN

Noël Coward and Rebecca West shared a long friendship, and often met each other at theatrical openings, on transatlantic liners, and at parties hosted by the ‘international set’. Their wary negotiation with one another's celebrity and cultural value played out not only at these social events but also in print, through reviews, gossip columns, and memoirs. Using the relationship between Coward and West as a case study, this essay explores the social scene of modernism, paying particular attention to the suggestion of theatricality in the word ‘scene’. It takes up the notion of the ‘modernist party’ as, on the one hand, a kind of stage on which celebrities from different spheres performed together, and, on the other, a happening which, through reports in print, contributed to the forming of literary reputations and to the public fascination with modern style

Aesthetics · Art · Art history · Friendship · Gossip · Happening · Literature · Media studies · Memoir · Modernism (music · Narrative · Negotiation · Performance art · Political science · Sociology · Style (visual arts · Value (mathematics · Cultural History and Identity Formation · Historical Studies on Reproduction, Gender, Health, and Societal Changes · History · Irish and British Studies · Law

Citation velocityhistorical
Highly citedNo

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