Sounds of Revelation
Aesthetic-Political Theology in Schoenberg's Moses und Aron
Datos Bibliográficos
| ID | 12917752 |
|---|---|
| Autores | Ruth Hacohen (0000-0001-7558-4862, autor de correspondencia) |
| Año | 2005 |
| Volumen | 1 |
| Número | 2 |
| Páginas | 110-140 |
| Fecha de publicación | 2005-10-01 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Modernist Cultures (JOURNAL) |
| Identificadores de la revista | ISSN: 1753-8629 • E-ISSN: 2041-1022 |
| Editorial | Edinburgh University Press (PUBLISHER • GB) |
| DOI | 10.3366/e2041102209000082 |
| OpenAlex | W2177651504 |
| Idioma | EN |
| Citas recibidas | 1 |
Ruth HaCohen (Hebrew University) explores Modernism's artistic exploration of its relationship to theology by taking up Schoenberg's late, unfinished opera Moses and Aaron. Reading that opera as a theological-political-aesthetic Tractatus in the tradition of Spinoza, HaCohen draws out the theological implications of Schoenberg's radical rethinking of formal conventions as these organize the relationship between music and text
Art · Art history · Hebrew · Linguistics · Literature · Modernism (music · Opera · Political theology · Politics · Reading (process · Revelation · Theology · Law · Medieval and Classical Philosophy · Musicology and Musical Analysis · Philosophy · Philosophy, Ethics, and Existentialism
| Obras citantes distintas | 1 |
|---|---|
| Citas por año | 0,14 |
| Intervalo de citas | 2019 - 2019 (1) |
| Velocidad de citación | historical |
| Altamente citado | No |
| Tipos de cita | Neutras: 1 |