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Queen Nikkolah’s reign

Revealing racial denial in Flanders through a rhetorical listening analysis of the Queen Nikkolah debate

Bibliographic Data

ID12918368
AuthorsAmber De Clerck (0000-0001-6110-9411, Ghent University, corresponding author), Kris Rutten (0000-0002-8630-4464, HOGENT University of Applied Sciences and Arts)
Year2025
Volume18
Issue4
Pages353-361
Publication date2025-09-10
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueCommunication Culture and Critique (JOURNAL)
Journal identifiersISSN: 1753-9137 • E-ISSN: 1753-9129
PublisherOxford University Press (OUP) (PUBLISHER)
DOI10.1093/ccc/tcaf035
OpenAlexW4416780465
LanguageEN
References cited36

On December 6, 2023, Ghent City Hall hosted a Saint Nicholas celebration featuring “Queen Nikkolah,” a Black female reinterpretation of the figure by artivist Laura Nsengiyumva. Positioned as an alternative to the controversial Black Pete, a blackface tradition in Flanders and the Netherlands, Queen Nikkolah became the subject of heated debate, showing that such alternatives do not escape racial tensions. Through a rhetorical listening analysis of mainstream Flemish media sources, this article traces both continuity and change in the rhetorical strategies used to contest racialized traditions. The analysis demonstrates how familiar claims are repurposed in the Queen Nikkolah debate, while also pointing to recent rhetorical shifts. In doing so, it exposes the persistence of racial denial in evolving forms and the enduring unease around Blackness in Belgium today

Denial · Exposition (narrative · Mainstream · Queen (butterfly · Reinterpretation · Rhetorical question · Subject (documents · Critical Race Theory in Education · Music History and Culture · Sound Studies and Aurality

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