And the Early Cinema of the DFFB
Datos Bibliográficos
| ID | 12919873 |
|---|---|
| Autores | Christina Gerhardt (University of Hawaiʻi at Mānoa, autor de correspondencia) |
| Año | 2017 |
| Páginas | 1-19 |
| Fecha de publicación | 2017-05-19 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | The Sixties (JOURNAL) |
| Identificadores de la revista | ISSN: 1754-1336 • E-ISSN: 1754-1328 |
| Editorial | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/17541328.2017.1326731 |
| OpenAlex | W2615667971 |
| Idioma | EN |
| Citas recibidas | 1 |
| Referencias citadas | 9 |
This article focuses on West German cinema around 1968 of the then newly established Deutsche Film- und Fernsehakademie Berlin (dffb), especially of Harun Farocki, Ulrich Knaudt and Helke Sander. Early dffb films form a pivotal aesthetic and political node of 1960s West German film history hitherto under-examined. In both form and content, these films experimented with and contributed to the era’s political cinema. An examination of select early dffb films by Farocki, Knaudt and Sander provides a new angle on what constituted 1968 politically and aesthetically in West German cinema
Archaeology · Art · Art history · German · Movie theater · Political science · Politics · Sander · Visual arts · Communism, Protests, Social Movements · Engineering · European history and politics · German History and Society · History · Law
| Obras citantes distintas | 1 |
|---|---|
| Citas por año | 0,2 |
| Intervalo de citas | 2021 - 2021 (1) |
| Velocidad de citación | historical |
| Altamente citado | No |
| Tipos de cita | Neutras: 1 |