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Atypical True Crime, Laughing at Offenders, and the Publishing Industry

An Interview with Myriam Gurba

Bibliographic Data

ID12920138
AuthorsHannah Spruce (0000-0002-2855-174X, Leeds Beckett University, corresponding author)
Year2022
Volume16
Issue3
Pages289-304
Publication date2022-11-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueContemporary Women s Writing (JOURNAL)
Journal identifiersISSN: 1754-1476 • E-ISSN: 1754-1484
PublisherOxford University Press (OUP) (PUBLISHER)
DOI10.1093/cww/vpad005
OpenAlexW4384944303
LanguageEN

which won the Eli Coppola Memorial Chapbook Prize, and River Candy (eohippus labs, 2015).Working as a traveling writer in the early 2010s, Gurba toured the USA with Sister Spit, a collective of radical, queer performance poets. 3 Sister Spit began in the 1990s as a women-only open mic night and, inspired by the punk movement, became a roadshow of touring poets and writers.Having been invited to tour with the collective in 2011 and 2015, Gurba took part in the revival era of Sister Spit, working and performing alongside authors such as Michelle Tea and Ali Liebegott.Touring as a writer was instrumental to the formation of Gurba's authorial voice, which fuses a compact poetic style with a gothic, grotesque, and surreal humor informed by the strategies of standup comedy.As she writes in Time on employing humor to write about sexual violence, humor enables her to resist what she refers to as a "pattern of storytelling [that] has come into vogue" and which has formed a "canon" with its own "script" for survivors of sexual violence (Gurba, "Why I Use Humor").This body of writing about surviving sexual violence, she argues, employs language in a manner that conveys the idea that "experiencing sexual violence is the worst moment in a survivor's life, period" ("Why I Use Humor").Writers in this canon, she asserts, "raid the vocabulary of religion in order to confer solemnity," and readers are asked to "'witness' a victim's pain as

Art · Art history · Criminology · Literature · Media studies · Political science · Publishing · Sociology · Contemporary Literature and Criticism · Irish and British Studies · Samuel Beckett and Modernism

Citation velocityhistorical
Highly citedNo

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