The Formation of a Feminist Counterpublic in the Poetics of Lola Lemire Tostevin and Daphne Marlatt
Bibliographic Data
| ID | 12920313 |
|---|---|
| Authors | Suzanne Morton (0009-0009-3714-4693, University of Southampton, corresponding author) |
| Year | 2007 |
| Volume | 1 |
| Issue | 1-2 |
| Pages | 151-170 |
| Publication date | 2007-12-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Contemporary Women s Writing (JOURNAL) |
| Journal identifiers | ISSN: 1754-1476 • E-ISSN: 1754-1484 |
| Publisher | Oxford University Press (OUP) (PUBLISHER) |
| DOI | 10.1093/cww/vpm007 |
| OpenAlex | W1992372483 |
| Language | EN |
In light of Nancy Fraser’s discussion of the formation of feminist counterpublics, this article assesses how Lola Lemire Tostevin and Daphne Marlatt have invented a public language in their writing for articulating the embodied experience of pregnancy. In so doing, I argue that Tostevin and Marlatt not only challenge the exclusion of women’s lives from avant-garde poetics – as diagnosed by Dorothy Lusk in Ogress Oblige – but they also contribute to the formation of a feminist counterpublic for articulating the social, political and physical experience of pregnancy in their writing
Art · Literature · Poetics · Poetry · Sociology · American Literature and Culture · Autobiographical and Biographical Writing · Poetry Analysis and Criticism · Gender Studies
| Highly cited | No |
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