Feminist Stages and Subaltern Sightlines
Bibliographic Data
| ID | 12920423 |
|---|---|
| Authors | Deirdre Osborne (Goldsmiths University of London, corresponding author) |
| Year | 2011 |
| Volume | 5 |
| Issue | 3 |
| Pages | 252-256 |
| Publication date | 2011-06-09 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Contemporary Women s Writing (JOURNAL) |
| Journal identifiers | ISSN: 1754-1476 • E-ISSN: 1754-1484 |
| Publisher | Oxford University Press (OUP) (PUBLISHER) |
| DOI | 10.1093/cww/vpr002 |
| OpenAlex | W1993372179 |
| Language | DE |
At first glance, the link between these three books is the form of the word feminism in their titles. In signalling a legacy of associations ranging from political concept, to social movement, to aesthetic category, each work highlights how feminist-led scholarship in theater, drama, and performance operates to disturb canonicity. Their project is to recalibrate critical disregard for women's contributions to the field and thereby display the ways in which this (re)shapes theater historiographies
Political science · Politics · Subaltern · Irish and British Studies · Theater, Performance, and Music History · Theatre and Performance Studies
| Highly cited | No |
|---|