Expanding Nationalisms at World’s Fairs
Identity, Diversity and Exchange, 1851–1915
Bibliographic Data
| ID | 12922108 |
|---|---|
| Authors | Javier Gimeno-Martínez (corresponding author) |
| Year | 2018 |
| Volume | 10 |
| Issue | 3 |
| Pages | 385-387 |
| Publication date | 2018-09-02 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Design and Culture (JOURNAL) |
| Journal identifiers | ISSN: 1754-7075 • E-ISSN: 1754-7083 |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.1080/17547075.2018.1514179 |
| OpenAlex | W2899171268 |
| Language | EN |
| Citations received | 2 |
World’s fairs are a recurrent topic for design, art, and cultural historians. They connect products, manufacturers, and governments, exemplifying how design can become a matter of state and demonst
Aesthetics · Art · Diversity (politics · Identity (music · Media studies · Political science · Sociology · State (computer science · Anthropology · Computer Science · Fashion and Cultural Textiles
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,33 |
| Citation span | 2020 - 2022 (3) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |