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West African Voice-Disguisers and Audible Ghosts

A Case for Expanding the Fluency of Global Design History

Bibliographic Data

ID12922112
AuthorsCher Potter (0000-0002-5865-6788, Twitter (United States), corresponding author)
Year2020
Volume12
Issue3
Pages309-329
Publication date2020-06-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueDesign and Culture (JOURNAL)
Journal identifiersISSN: 1754-7075 • E-ISSN: 1754-7083
PublisherRoutledge (PUBLISHER • GB)
DOI10.1080/17547075.2020.1741912
OpenAlexW2980248722
LanguageEN
Citations received1
References cited35

With reference to a Boki voice-disguiser, created by an unknown designer in south-eastern Nigeria circa 1925 and now on display in the Pitt Rivers Museum, this article uses the concepts of sound and magic to reveal the limitations of current approaches to global design history. The noise-producing aspect of the instrument is related to profound metaphysical manifestations that challenge the global design historian to think beyond the industrial and technical foundations of design as defined in “the West”. Alongside core literature around global design history, this essay engages with a diverse spectrum of methodologically focused scholarship, including anthropology and neuroscience, in an attempt to understand the case study as a design object and a generator of auditory environment and ritual

Aesthetics · Art · Design History · Fluency · MAGIC (telescope · Political science · Scholarship · Sociology · Visual arts · Architecture, Art, Education · Art Education and Development · Crafts, Textile, and Design · History · Psychology

  • Type Out Loud

    Dori Griffin•Design and Culture•2025

  • The peoples of Southern Nigeria

    Percy Amaury Talbot•The peoples of Southern Nigeria•1969

  • A Diary in the Strict Sense of the Term

    Bronislaw Malinowski•Diary in the Strictest Sense of…•2020

  • Magic and Modernity

    Birgit Meyer, Peter Pels•Magic and Modernity•2003

  • A New Vocabulary for Global Modernism

    Eric Hayot, Rebecca L Walkowitz•New Vocabulary for Global Modernism•2016

  • The Book of Touch

    Constance Classen•Book of Touch•2020

  • Introduction

    D Stone, Daniel P Stone•Patterns of Prejudice•2001

  • West African Masks and Cultural Systems

    John Picton, Sidney Littlefield Kasfir•African Arts•1989

  • Classification of Igbo musical instruments, Nigeria

    Open Access•Joy Nwosu Lo-Bamijoko•African Music Journal of the…•1987

  • The birth of the museum

    Tony Bennett•The birth of the museum•1995

  • Historiographical traditions and modern imperatives for the restoration of global history

    Open Access•Patrick O’brien•Journal of Global History•2006

  • Ritual and Secular Uses of Vibrating Membranes as Voice-Disguisers

    Beatrice Blackwood, B M Blackwood et al.•The Journal of the Royal…•1948

  • On Masks and Audible Ghosts

    Elizabeth Isichei•Journal for the Study of Judaism•1987

  • On Masks and Audible Ghosts

    Elizabeth Isichei•Journal of Religion in Africa•1988

  • The Sounds of Silence

    Open Access•Philip M Peek•American Ethnologist•1994

  • Sound and Ritual

    Anthony Jackson•Man•1968

  • Notes and Queries and the Pitt Rivers Museum

    Open Access•Alison Petch•Museum Anthropology•2007

Unique citing works1
Citations per year1
Citation span2025 - 2025 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 1

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