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Industrial Design Students Design for Social Innovation

Case Study in a Taiwanese Village

Bibliographic Data

ID12922172
AuthorsMingying Yang (0000-0003-1256-6514, corresponding author)
Year2015
Volume7
Issue3
Pages451-464
Publication date2015-07-03
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueDesign and Culture (JOURNAL)
Journal identifiersISSN: 1754-7075 • E-ISSN: 1754-7083
PublisherRoutledge (PUBLISHER • GB)
DOI10.1080/17547075.2015.1105704
OpenAlexW2304178738
LanguageEN
References cited2

Over the past decade, numerous scholars have argued that industrial designers must also bear a social responsibility in addition to their responsibility to corporations to help create profits. In addition to collaborating with industry, design schools must strive to enhance design students' social responsibility through cooperation with nonprofit organizations. Industrial design education was introduced in Taiwan in the 1960s, successfully assisting Taiwanese industries in transforming and upgrading from original equipment manufacturers to original design manufacturers, and subsequently to original brand manufacturers. This paper discloses the results achieved as industrial design students used their design expertise to assist in the successful transformation of rush-weaving handicrafts at Foothills Community in Yuanli town in Miaoli county, Taiwan. A ten-member industrial design graduate student team spent two months residing in the community. The students interviewed the local villagers, co-created a series of activities with them to help improve the landscape and environment of the community, and assisted the village to develop innovative and diverse rush-woven products that have won a world design contest award. This social innovation project enabled the participating design students to experience social responsibility. In addition, the gradually disappearing traditional handicraft skills of local elders combined with the innovative ideas of new generation young designers transformed traditional handicrafts into new cultural products.Keywords: design educationdesign and craftsocial innovationindustrial designrush-weaving handicrafts AcknowledgmentsMany thanks to the Taiwan Yuan-Li Handiwork Association for providing photographs, as well as to Yi-Ya Liao and nine other industrial design graduate students for participating in this project.Disclosure statementNo potential conflict of interest was reported by the author.Notes1. See https://www.youtube.com/watch?v=G02uzb39Taw; https://www.youtube.com/watch?v=D4_QQmAd3vc; and https://www.youtube.com/watch?v=ZiZPD_leP_0/.Additional informationNotes on contributorsMing-Ying YangMing-Ying Yang is an Associate Professor of Industrial Design at the National United University in Taiwan. She holds a doctoral degree in design studies. She has published over twenty referred papers for chapters in books and for national and international journals. She has also been a reviewer for several international journals and conferences since 2007. Her research interests include design education, design culture, and gender design.Email: [email protected]

Advertising · Business · Clothing · CONTEST · Design education · Fashion design · Handicraft · Industrial design · Management · Political science · Public relations · Social responsibility · Sociology · Visual arts · Weaving · Crafts, Textile, and Design · Cultural Industries and Urban Development · Engineering · Marketing

  • Worldmaking

    Shana Agid•Design and Culture•2012

Citation velocityhistorical
Highly citedNo

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