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Subjectivity in Self-Historicization

Design and Mediation of a “New Danish Modern” Living Room Set

Bibliographic Data

ID12922232
AuthorsMads Nygaard Folkmann (0000-0003-3841-2302, Faculty of Design, corresponding author), Hans-Christian Jensen (0000-0002-4687-4307, Technical Design (United States))
Year2014
Volume7
Issue1
Pages65-84
Publication date2014-12-12
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueDesign and Culture (JOURNAL)
Journal identifiersISSN: 1754-7075 • E-ISSN: 1754-7083
PublisherRoutledge (PUBLISHER • GB)
DOI10.2752/175470715x14153615623682
OpenAlexW2078641417
LanguageEN
Citations received1
References cited17

The article looks into the flexible and strategically motivated subjective” selection of historical references in the design and mediation of Camping – a set of living room furniture designed by Jesper K. Thomsen and launched by the retailer Normann Copenhagen in 2009 under the heading New Danish Modern Thus, the case is an example of how design history constitutes a discursive and material reservoir that design actors can employ and engage with for their own purposes. Starting out in a formal description of the design, the article analyzes how Campingin its design and mediation deliberately plays on the consumption of meaning and in this bypasses the stated cultural frame and symbolic meaning of Danish Modern. Camping entails a meaning structure and self-conscious meaning reflection that can be regarded as a discrete and downplayed version of the experimental design that, for example, can be seen in the Dutch Droog design

Aesthetics · Art · Danish · Epistemology · Mediation · Psychoanalysis · Social science · Sociology · Subjectivity · Crafts, Textile, and Design · Cultural Industries and Urban Development · History · Migration, Aging, and Tourism Studies · Philosophy · Psychology

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Unique citing works1
Citations per year0,09
Citation span2015 - 2015 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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