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Reconsidering Eve Kosofsky Sedgwick

Tex/xture and Design

Bibliographic Data

ID12922348
AuthorsRasmus R Simonsen (corresponding author)
Year2018
Volume10
Issue2
Pages169-185
Publication date2018-05-04
Open AccessNo
TypeARTICLE
VenueDesign and Culture (JOURNAL)
Journal identifiersISSN: 1754-7075 • E-ISSN: 1754-7083
PublisherRoutledge (PUBLISHER • GB)
DOI10.1080/17547075.2018.1469882
OpenAlexW2883991325
LanguageEN
References cited9

This article explores and theorizes how design professionals and academics can incorporate a tactile vocabulary into their processes and thinking. As our two-dimensional, tablet era has limited our exposure to the complexities of texture and touch, aspiring designers must create strategies for communicating the haptic value of their work. Eve Sedgwick’s work on texture is highly useful to consider in this regard, as she provides us with a specific approach and methodology for analyzing texture. Following Sedgwick, this article provides a theoretical foundation for understanding and constructing what I call “texture-games” in relation to tactile design objects

Aesthetics · Art · Foundation (evidence · Human–computer interaction · Image (mathematics · Linguistics · Political science · Relation (database · Texture (cosmology · Value (mathematics · Visual arts · Vocabulary · Work (physics · Artistic and Creative Research · Computer Science · Contemporary art, education, critique · Engineering · Law · Philosophy · Posthumanist Ethics and Activism · Artificial Intelligence · Mechanical Engineering

  • Bitter after Taste

    B Highmore•The affect theory reader•2010

  • The Senses of Touch

    Mark Paterson•The Senses of Touch•2007

  • Touch communicates distinct emotions

    Matthew J Hertenstein, Dacher Keltner et al.•Emotion•2006

  • Raf Simons and Interdisciplinary Fashion from Post-Punk to Neo-Modern

    Nick Rees-Roberts•Fashion Theory•2014

  • Touching Feeling

    Eve Kosofsky Sedgwick, Michele Aina Barale et al.•Touching Feeling•2003

  • What We Touch, Touches Us

    Tom H Fisher•Design Issues•2004

Highly citedNo

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