Letters of Introduction
Film Credits and Cityscapes
Bibliographic Data
| ID | 12922644 |
|---|---|
| Authors | Will Straw (Centre for Interdisciplinary Research in Music Media and Technology, corresponding author) |
| Year | 2010 |
| Volume | 2 |
| Issue | 2 |
| Pages | 155-165 |
| Publication date | 2010-06-05 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Design and Culture (JOURNAL) |
| Journal identifiers | ISSN: 1754-7075 • E-ISSN: 1754-7083 |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.2752/175470710x12696138525587 |
| OpenAlex | W2008137966 |
| Language | EN |
| Citations received | 2 |
| References cited | 6 |
This essay is about the textuality of film credit sequences and their relationship to the expressivity of urban life. It traces the development of credit sequences away from models based on the book and the theatrical stage, towards an engagement with the material objects and expressive forms of cities. Using a wide variety of examples, from the 1920s through the 1960s, the essay traces the shifting status of words, images, and forms of public textuality in the credit sequence
Aesthetics · Art · Literature · Sequence (biology · Sociology · Textuality · Variety (cybernetics · African history and culture studies · Cinema and Media Studies · Computer Science · Italian Fascism and Post-war Society · Artificial Intelligence
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,14 |
| Citation span | 2012 - 2018 (7) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |