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Simmel's Handle

A Historical and Theoretical Design Study

Bibliographic Data

ID12922658
AuthorsSiegfried Grönert (Sir Syed University of Engineering and Technology, corresponding author)
Year2012
Volume4
Issue1
Pages55-71
Publication date2012-01-09
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueDesign and Culture (JOURNAL)
Journal identifiersISSN: 1754-7075 • E-ISSN: 1754-7083
PublisherRoutledge (PUBLISHER • GB)
DOI10.2752/175470812x13176523285156
OpenAlexW2022482994
LanguageEN
Citations received1
References cited5

This analysis of the article "Der Henkel. Ein ästhetischer Versuch" (The Handle: An Aesthetic Study) by Georg Simmel is intended to be a contribution to the history of the meaning of things. Later critiques by Ernst Bloch and Theodor W. Adorno have shifted how we understand Simmel. Integrating Simmel's text within a chronological progression of relationships creates a particular history, the events of which can be commented on reflexively. As industrial design has become an integral component in today's culture, Simmel's position on the role of the applied arts within a modern society is now particularly significant. Our understanding of his cultural philosophy has been shaped by early modernism and postmodernism. But Simmel's "Henkel" can also act as an iridescent symbol reflecting the meaning of things in relation to their interpretations. This article should indicate that the handle's aesthetic as well as symbolic dimensions can still elucidate the society of its time

Aesthetics · Art · Epistemology · Linguistics · Meaning (existential · Modernism (music · Postmodernism · Psychoanalysis · Relation (database · Sociology · Symbol (formal · The arts · The Symbolic · Visual arts · Computer Science · Philosophy · Psychology · Weber, Simmel, Sociological Theory

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Unique citing works1
Citations per year0,14
Citation span2019 - 2019 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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