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The emergence of the showrunner in global contemporary TV fiction

The case of Pau Freixas in Catalonia

Bibliographic Data

ID12928390
AuthorsConcepción Cascajosa Virino (0000-0002-6348-5979, Universidad Carlos III de Madrid, corresponding author)
Year2018
Volume10
Issue1
Pages125-132
Publication date2018-04-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueCatalan Journal of Communication & Cultural Studies (JOURNAL)
Journal identifiersISSN: 1757-1898 • E-ISSN: 1757-1901
PublisherIntellect (PUBLISHER • GB)
DOI10.1386/cjcs.10.1.125_1
OpenAlexW2803993452
LanguageEN

This article approaches the television career of Pau Freixas, screenwriter, director and producer of the series Polseres vermelles (2012–13), Cites (2013–16) and Sé quién eres (2017). The television works of Pau Freixas epitomise three recent changes experienced in the creation of television fiction. First, the international emergence of the showrunner, a key characteristic of the American TV industry, that has expanded globally as a symbol of creative autonomy. Second, Pau Freixas’ career marks an ongoing tendency on contemporary Spanish TV: many directors began their career in cinema but have ended up working in television, making him a rara avis as a showrunner-director. Last, he has developed the most important part of his career in the Catalan public television channel, TV3, where he matured as a storyteller in a way that, in the context of contemporary television, has facilitated remarkable international success for his works

Art · Autonomy · Catalan · CITES · Context (archaeology · Humanities · Media studies · Movie theater · Political science · Public broadcasting · Reality television · Sociology · Symbol (formal · Television series · Visual arts · History · Law · Media, Journalism, and Communication History · Spanish Culture and Identity

Citation velocityhistorical
Highly citedNo

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