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Shakespeare and Plautus

Exploring metrical influence

Bibliographic Data

ID12936541
AuthorsAlexander Christensen (0000-0002-8708-6091, Oxfam, corresponding author)
Year2023
Volume15
Issue3
Pages298-318
Publication date2023-06-06
Open AccessYes
TypeARTICLE
VenueClassical Receptions Journal (JOURNAL)
Journal identifiersISSN: 1759-5134 • E-ISSN: 1759-5142
PublisherOxford University Press (OUP) (PUBLISHER)
DOI10.1093/crj/clad010
OpenAlexW4380090513
LanguageEN
References cited9

Scholars have recognized for some time that Shakespeare’s early comedies drew much from Plautine comedy. Although these points of influence have long been established, discussion of Plautus’ influence on Shakespeare has not often moved beyond them to broader questions of whether he had any influence over Shakespeare’s tragedies, over his later career in general, or over more specific techniques of playwriting, like characterization or metrical composition. This article takes up these latter two issues. I argue that Shakespeare’s use of metrical variation in his most sympathetic characters’ soliloquies correlates closely with Plautus’ practice of using polymetric songs to introduce his most sympathetic characters. As examples, I analyse Shakespeare’s Hamlet and Plautus’ Trinummus. Though no conclusive evidence can be found to prove that Shakespeare digested Plautus’ metrics in addition to his comic plots, the article suggests that Plautus’ influence on Shakespeare could run deeper than previously thought

Art · Astronomy · Comedy · Comics · HAMLET (protein complex · Literature · Physics · Variation (astronomy · Classical Antiquity Studies · Historical and Literary Studies · Renaissance Literature and Culture

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Highly citedNo

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