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Lysistrata(s)

Aristophanes and Spike Lee

Bibliographic Data

ID12936600
AuthorsCaroline Stark (Howard University, corresponding author)
Year2018
Publication date2018-03-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueClassical Receptions Journal (JOURNAL)
Journal identifiersISSN: 1759-5134 • E-ISSN: 1759-5142
PublisherOxford University Press (OUP) (PUBLISHER)
DOI10.1093/crj/cly003
OpenAlexW2801125206
LanguageEN
Citations received1
References cited51

Cinematic reworkings and performances of ancient drama offer a valuable interpretative lens for rethinking issues and themes in the source text. Using Spike Lee's cinematic reworking of Aristophanes' Lysistrata in Chi-Raq (2015) as a case study, this article demonstrates that Lee's film reveals the ritual nexus of societal renewal underlying Aristophanes' play through the characterization and transformation of the film's two central characters: Lysistrata and Chi-Raq. In his characterization of Lysistrata and reworking of the Reconciliation scene, Lee shifts the focus of the ritual away from Lysistrata as the presiding goddess/priestess to the ritualistic transformation of the central oikos and the cathartic effect that it brings to the whole community (polis) riven by the conflict. In the face of civic dysfunction and communal self-destruction, Lee and Aristophanes' Lysistratas argue that the salvation of the community is achieved first through domestic and then through collective accountability. By casting this ritual transformation in heroic terms, Lee argues for satire's efficacy to inspire and engender social and political change

Art · Spike (software development · Cinema and Media Studies · Engineering · Shakespeare, Adaptation, and Literary Criticism · Theater, Performance, and Music History

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Unique citing works1
Citations per year0,17
Citation span2020 - 2020 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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