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La notion de catalogue

De l’imprimé au numérique

Bibliographic Data

ID12938378
AuthorsAlain Chante (corresponding author)
Year2013
Volume21
Issue1
Pages131-152
Publication date2013-01-01
Open AccessYes
TypeARTICLE
VenueCulture & Musées (BOOK_SERIES)
Journal identifiersISSN: 1766-2923 • E-ISSN: 2111-4528
PublisherPERSEE Program (PUBLISHER)
DOI10.3406/pumus.2013.1735
OpenAlexW2810488924
LanguageEN

The notion of catalog : from print to digital. Libraries and museums have, for a very longtime, shared a mutual tool which has participated in building their image and in structuring their functionality. The catalog, term meaning “ read from top to bottom”, comes from the need for inventory and classifi cation. It is linked to ideas of grouping, counting, number, order and memory. The trends towards specialization have tended to separate them, directing them into more specific mediations : reference and display, but recent technological developments and user demands are now leading towards synthesis, hybridity and interconnection. New forms of mediation are appearing, giving a new future to the catalog, as long as it is prepared to become more spatial than linear

Art · Business · Epistemology · Humanities · Hybridity · Literature · Meaning (existential · Mediation · Order (exchange · Political science · Sociology · Structuring · Computer Science · Cultural Insights and Digital Impacts · Diverse Cultural and Historical Studies · Diverse multidisciplinary academic research · Philosophy

Highly citedNo

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Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae