Eyebrows, Chintz and a Smile
Some Features of the Author’s Interpretation of the Concept Beauty in the Poetry of Pavel Vasiliev
Bibliographic Data
| ID | 12945372 |
|---|---|
| Authors | Зифа Какбаевна Темиргазина (0000-0003-3399-7364, Pavlodar State Pedagogical University, corresponding author) |
| Year | 2022 |
| Volume | 21 |
| Issue | 9 |
| Pages | 34-46 |
| Publication date | 2022-11-16 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Vestnik NSU Series History and Philology (JOURNAL) |
| Journal identifiers | ISSN: 1818-7919 |
| Publisher | Novosibirsk State University (NSU) (PUBLISHER) |
| DOI | 10.25205/1818-7919-2022-21-9-34-46 |
| OpenAlex | W4309610037 |
| Language | EN |
| References cited | 7 |
Purpose. The article examines the features of the representation of the concept BEAUTY in the poetry of Pavel Vasiliev. In his work, there is a transcultural symbiosis of Russian and Kazakh aesthetic canons of beauty. Results. Typically Kazakh features of a person's appearance look aesthetically attractive for the poet. He considers eyebrows to be an important part of a human beauty. A peculiar artistic interpretation of this detail of appearance is manifested in the epithets, in a dynamic metaphorical model [EYEBROWS → are BIRDS]. A relevant sign of beauty is the harmony – the proportionality of a person’s figure. The peculiarities of understanding the beauty of a woman in clude close attention to such details of clothes and shoes as a skirt, a shawl and heels. The skirt in the process of metonymization replaces the woman [SKIRT instead of A BEAUTIFUL WOMAN]. Semiotically relevant is the characteristic of clothing made by the fabric – chintz, silk. In the semiosis of fabric as a sign of class affiliation and financial situation, such mechanism of analogy as the metonymy is involved. Developing and supplementing the ideas of oppositeness of external and internal beauty of a person and the localization of the internal beauty in his eyes, Pavel Vasiliev defines the locus of a spiritual beauty in a smile, in the corners of a woman's lips. Conclusion. The concept of BEAUTY in Vasiliev’s poetry has the individual and author's artistic and aesthetic features, and preserves the folk aesthetic ideal of beauty at its core
Aesthetics · Art · Beauty · Harmony (color · Interpretation (philosophy · Linguistics · Literature · Poetry · Sign (mathematics · Visual arts · Discourse Analysis and Cultural Communication · Language, Communication, and Linguistic Studies · Language, Metaphor, and Cognition · Mathematics · Philosophy
| Highly cited | No |
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