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On Sense, Reference, and Tone in History

Bibliographic Data

ID12955309
AuthorsEugen Zeleňák (0000-0002-0576-4080, Catholic University in Ruzomberok, corresponding author)
Year2010
Volume4
Issue3
Pages354-374
Publication date2010-01-01
Open AccessNo
TypeARTICLE
VenueJournal of the Philosophy of History (JOURNAL)
Journal identifiersISSN: 1872-261X • E-ISSN: 1872-2636
PublisherBrill (PUBLISHER • NL)
DOI10.1163/187226310x536213
OpenAlexW2089605956
LanguageEN

This paper tries to show how the Fregean semantic framework, especially the notions of sense and tone, can be used to explain certain features of history. Following Michael Dummett’s interpretation of Gottlob Frege’s notion of meaning, it is possible to conceive of historical works as proposing particular modes of presentation of past events. In fact, alternative historical works about the same past events could be viewed as differing in what sense and tone they express. In this paper, I first outline some of the points and distinctions made by Frege. Second, I examine how the notions of sense, reference, and tone can be applied in semantic analysis of historical work. Finally, I point to a certain similarity between the Fregean framework and some of the views presented in the recent philosophy of history. My account suggests how to make use of some of the classical insights of Frege when dealing with the semantic issues of historical work

Common sense · Epistemology · Interpretation (philosophy · Linguistics · Meaning (existential · Point (geometry · Similarity (geometry · Tone (literature · Computer Science · Mathematics · Philosophy · Religion and Society Interactions · Artificial Intelligence

Highly citedNo

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