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The Aesthetics of Belonging

Bibliographic Data

ID12955503
AuthorsZeina Maasri (0000-0002-4395-7406, American University of Beirut, corresponding author)
Year2012
Volume5
Issue2
Pages149-189
Publication date2012-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueMiddle East Journal of Culture and Communication (JOURNAL)
Journal identifiersISSN: 1873-9857 • E-ISSN: 1873-9865
PublisherBrill (PUBLISHER • NL)
DOI10.1163/187398612x641879
OpenAlexW1497122488
LanguageEN
Citations received6
References cited11

This article traces the transformations in Hizbullah’s media discourse from its formative years in the mid- 1980s until the 2006 war with Israel. It focuses on a specific outlet of self-promotion and public mediation—that of political posters—to unpack their discursive, semiotic and aesthetic changes at decisive moments in the group’s history. The analysis relates the transformations to paradigmatic changes in Hizbullah’s politics; its growth as a Lebanese political party and military organization with transnational impetus; and the ensuing wider publics it attempts to reach, and, conversely, to the hostile imaginaries and exclusionary politics the group struggles with. The article observes how the Party of God increasingly attempts to negotiate its self-image outside a Shii-Islamic subjectivity and how it particularly strives to broaden its reach among the Lebanese public. It argues that the group’s media transformations have entailed, since the early 1990s, not only an accommodation of the party’s discourse of resistance within a nationalist framework, but also the inscription of its media image, rhetoric and aesthetics within a Lebanese social context

Aesthetics · Context (archaeology · Epistemology · Media studies · Mediation · Nationalism · Political science · Politics · Rhetoric · Social science · Sociology · Subjectivity · History · Jewish and Middle Eastern Studies · Law · Middle East Politics and Society · Philosophy · Public Spaces through Art

  • Cosmopolitan Radicalism

    Open Access•Zeina Maasri•Cosmopolitan Radicalism•2020

  • Hizbullah-land? Branding religio-politico identity in Dahiya

    Sarah Hamdar•Journal for Cultural Research•2019

  • Hizbullah’s ʿAshura Posters (2007–2020)

    Sarah Hamdar•Middle East Journal of Culture…•2021

  • Political Posters Reveal a Tension in WhatsApp Platform Design

    Open Access•Sananda Sahoo•Television & New Media•2021

  • The Visual Economy of “Precious Books”

    Zeina Maasri•Comparative Studies of South Asia…•2020

  • The “futurist” aesthetics of Isis

    Open Access•Thorsten Botz–bornstein•Journal of AESTHETICS & CULTURE•2017

  • The Vanished Imam

    Fouad Ajami•Vanished Imam•2017

  • Politics, Culture, Religion

    Open Access•Lara Deeb, Mona Harb•Review of Middle East Studies•2009

  • Not Your Father’s Islamist TV

    Open Access•Anne Marie Baylouny•Arab Media and Society•2009

  • Distinction

    Pierre Bourdieu•Food and Culture•2018

  • The Power of Conviction

    Dina Matar•Middle East Journal of Culture…•2008

  • Hezbollah’s Media

    Open Access•Olfa Lamloum•Global Media and Communication•2009

  • Lebanon's Hizbullah

    A Nizar Hamzeh•Third World Quarterly•1993

  • Know thy enemy

    Mona Harb, Reinoud Leenders•Third World Quarterly•2005

  • Publics and Counterpublics

    Michael Warner•Public Culture•2002

  • Toward New Imaginaries

    Dilip Parameshwar Gaonkar•Public Culture•2002

  • Exhibiting the 'Just-Lived Past

    Open Access•Lara Deeb•Comparative Studies in Society…•2008

Unique citing works6
Citations per year0,67
Citation span2017 - 2021 (5)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 6

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