Advertising the Self
The Culture of Personality in E. B. White's Charlotte's Web
Bibliographic Data
| ID | 12969134 |
|---|---|
| Authors | Gabrielle Ceraldi (corresponding author) |
| Year | 2014 |
| Volume | 6 |
| Issue | 1 |
| Pages | 77-94 |
| Publication date | 2014-06-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Jeunesse Young People Texts Cultures (JOURNAL) |
| Journal identifiers | ISSN: 1920-2601 • E-ISSN: 1920-261X |
| Publisher | University of Toronto Press Inc. (UTPress) (PUBLISHER) |
| DOI | 10.3138/jeunesse.6.1.77 |
| OpenAlex | W4300998317 |
| Language | EN |
E. B. White’s Charlotte’s Web reflects the emergence of what Warren I. Susman has termed the “culture of personality.” This shift from an older culture of character to a newer culture of personality is thrown into sharp relief in the novel, which juxtaposes the bucolic Zuckerman farm against an emerging consumeristic society in which self-promotion has become necessary for success. While White acknowledges the need for confident self-promotion, he also interrogates the culture of personality, resurrecting aspects of the culture of character as a corrective to the competitive and egoistic norms of modern life
Advertising · Aesthetics · Art · Business · Character (mathematics · Media studies · Personality · Political science · Politics · Promotion (chess · Sociology · White (mutation · American and British Literature Analysis · American Jewish Fiction Analysis · Contemporary Literature and Criticism · Law · Psychology · Social Psychology
| Highly cited | No |
|---|