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Excerpt from Queequeg’s Coffin

Indigenous Literacies and Early American Literature

Bibliographic Data

ID12976842
AuthorsBirgit Brander Rasmussen (Yale University, corresponding author)
Year2012
Volume4
Issue1
Publication date2012-01-01
Open AccessYes
TypeARTICLE
VenueJournal of Transnational American Studies (JOURNAL)
Journal identifiersISSN: 1940-0764 • E-ISSN: 1940-0764
PublisherCalifornia Digital Library (CDL) (PUBLISHER)
DOI10.5070/t841012813
OpenAlexW2769806824
LanguageEN

Birgit Brander Rasmussen’s Queequeg’s Coffin: Indigenous Literacies and Early American Literature is a fascinating discussion of various non-alphabetic writing by indigenous peoples. According to its blurb, it “recovers previously overlooked moments of textual reciprocity in the colonial sphere, from a 1645 French-Haudenosaunee Peace Council to Herman Melville’s youthful encounters with Polynesian hieroglyphics.” The text reproduced here takes on Melville’s iconic novel Moby Dick and explores Ishmael’s description of the tattoos on the body of the Polynesian harpooner Queequeg and on his coffin. Rasmussen posits these as a fictionalized embodiment of actual Polynesian writing

Archaeology · Art · Coffin · Colonialism · Indigenous · Literature · Reciprocity (cultural anthropology · Sociology · Anthropology · Folklore, Mythology, and Literature Studies · History · Literary Theory and Cultural Hermeneutics · Themes in Literature Analysis

Highly citedNo

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