"This Land Is Holy!" Intersections of Politics and Spirituality in Luis Alberto Urrea’s The Hummingbird’s Daughter
Bibliographic Data
| ID | 12977004 |
|---|---|
| Authors | Christina Garcia Lopez (University of San Francisco, corresponding author) |
| Year | 2016 |
| Volume | 7 |
| Issue | 1 |
| Publication date | 2016-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Journal of Transnational American Studies (JOURNAL) |
| Journal identifiers | ISSN: 1940-0764 • E-ISSN: 1940-0764 |
| Publisher | California Digital Library (CDL) (PUBLISHER) |
| DOI | 10.5070/t871028891 |
| OpenAlex | W2510087063 |
| Language | EN |
| References cited | 24 |
This essay discusses the intersections of politics and spirituality during the Porfiriato era in Mexico, an oppressive period that initiated northward migration into the United States; specifically, Lopez examines Luis Alberto Urrea’s 2005 novel, The Hummingbird’s Daughter, which blends narrative, history, and biography. Merging a historical focus on the political impulses of northward migration with attention to spiritual and religious epistemologies, Urrea’s narrative of "Teresita," a regional folk saint of northern Mexico, highlights a critical time that would significantly determine the intertwined futures of both nations. As the author brings Teresita and her community to life for readers, he simultaneously describes the Porfiriato era’s relationship with US interests, the state’s violent push towards modernization, and power struggles over indigenous land rights, all of which would eventually culminate in the Mexican Revolution and mass migration into the United States. Ultimately, Lopez argues that, in its narrative representation of political conflicts over land rights during the Porfiriato, The Hummingbird’s Daughter functions as a form of witnessing to state violence and, further, highlights a complex, embodied spirituality through which indigenous and mestizo peoples responded to state violence with contestation and counterdiscourse. This essay highlights Urrea’s work as a substantial contribution to the further development of Border Studies, Chicano/a Studies, and Transnational American Studies
Art · Ethnology · Hummingbird · Indigenous · Literature · Narrative · Political science · Politics · Sociology · Spirituality · State (computer science · Asian American and Pacific Histories · Gender Studies · History · Latin American and Latino Studies · Latin American Literature Studies · Law
The World of the Mexican Worker in Texas.
In the Shadow of the Eagles
Borderlands/La Frontera
Mexican American Religions
Sacred Iconographies in Chicana Cultural Productions
A Texas-Mexican Cancionero
Católicos
Border Matters
The Borderlands of Culture
Fleshing the spirit
The World of the Mexican Worker in Texas
Teresa Urrea
Borderlands Saints
Mexican American Religions
A Texas-Mexican Cancionero, Folksongs of the Lower Border
From Saint to Seeker
A Century of Chicano History
Border Matters
In the Shadow of the Eagles
A Century of Chicano History
"With His Pistol in His Hand"; A Border Ballad and Its Hero
The Borderlands of Culture
| Citation velocity | historical |
|---|---|
| Highly cited | No |