Painting the town red
The impact of Anglo-Soviet exchange on the visual arts in Britain in the 1930s
Bibliographic Data
| ID | 12977964 |
|---|---|
| Authors | Alison McClean (At Bristol, corresponding author) |
| Year | 2016 |
| Volume | 8 |
| Issue | 3 |
| Pages | 230-241 |
| Publication date | 2016-08-11 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Russian Journal of Communication (JOURNAL) |
| Journal identifiers | ISSN: 1940-9427 • E-ISSN: 1940-9419 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/19409419.2016.1213616 |
| OpenAlex | W2508855092 |
| Language | EN |
| References cited | 5 |
At its peak in the mid-1930s, the society for cultural relations with the Soviet Union (SCRs) could count among its membership some of the most influential creative practitioners working in Britain at the time. This article will examine the various organisations and initiatives that emerged as a result of the activities of SCR members working in the visual and performing arts, including the Artists International Association, Marx House, and Kino Films, and their role in promoting Anglo-Soviet cultural exchange in the visual arts in the 1930s. In doing so, I will consider the extent to which these activities transcended the cultural sphere, leading to the emergence of a cadre of politically engaged artists including the muralist Viscount Hastings, the illustrator Pearl Binder, and the film-maker Ivor Montagu who, inspired by Soviet models, became active across a range of left-wing and anti-fascist organisations and initiatives
Ancient history · Art · Art history · Cultural exchange · Economic history · Painting · Political science · Politics · Soviet union · The arts · Visual arts · European history and politics · French Historical and Cultural Studies · History · Italian Fascism and Post-war Society · Law
| Citation velocity | historical |
|---|---|
| Highly cited | No |