Introduction. Sound and Vision
Intermediality and American Music
Bibliographic Data
| ID | 12997104 |
|---|---|
| Authors | Frank Mehring (0000-0003-2002-8863, Radboud University Nijmegen), Eric Redling (Martin Luther University Halle-Wittenberg) |
| Year | 2017 |
| Volume | 12 |
| Issue | 4 |
| Publication date | 2017-12-22 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | European Journal of American Studies (JOURNAL) |
| Journal identifiers | ISSN: 1991-9336 • E-ISSN: 1991-9336 |
| Publisher | European Association for American Studies (PUBLISHER • FR) |
| DOI | 10.4000/ejas.12384 |
| OpenAlex | W2792222899 |
| Language | EN |
| References cited | 7 |
The medium of music represents a pioneering force of crossing boundaries on cultural, ethnic, racial, and national levels. Critics such as Wilfried Raussert and Reinhold Wagnleitner argue that music more than any other medium travels easily across borders, language barriers, and creates new cultural contact zones (Raussert 1). With the turn to reception and rise of Cultural Studies, the field of American Studies has expanded its focus on literature and historical narratives to include a broad
Acoustics · Aesthetics · Art · Ethnic group · Field (mathematics · Focus (optics · Literature · Narrative · Sociology · Sound (geography · Anthropology · History · Musicology and Musical Analysis
| Highly cited | No |
|---|